Acoustic Guitar (R)Evolution
Playing guitar in a great sounding room is the most inspiring, engaging playing experience imaginable – far more enjoyable than in a dry-sounding room like a lounge, office or den. Yamaha’s TransAcoustic Guitar recreates the incredible experience of playing in a rich, live room without needing any external amplification or effects – just the guitar itself. Whether you’re practicing, writing, recording or just playing for fun, the TransAcoustic Guitar will make you play better, longer and with more creativity. Once you’ve experienced it, you’ll never want to play another acoustic guitar again.
An Immersive Experience
Captivating reverb and chorus effects
The Yamaha TransAcoustic Guitar provides a self-contained, immersive playing experience, with compelling reverb and chorus effects that resonate within the body of the guitar. TransAcoustic technology adds richness, depth and increased dimensionality to your sound and performance – all without the need for external gear.
Authentic Yamaha TransAcoustic Technology
High-quality instruments with fully integrated built-in effects
TransAcoustic technology is paired with the outstanding build quality that Yamaha guitars are known for, producing an all-in-one instrument that leads in sound, quality and price.
Full Range of Body Styles
A model for everyone
The TransAcoustic Series includes a nylon-string classical guitar, and steel-string guitars with traditional, concert, cutaway and compact parlor-sized bodies.
Yamaha FGC-TA TransAcoustic cutaway guitars transport you to new creative spaces via immersive built-in reverb and chorus effects that actually resonate within the body of the instrument itself. Combining classic craftsmanship with revolutionary technology, the FGC-TA cutaway guitar will enable you to play and sound your best no matter where you are, and its cutaway design provides easy access to every note on the fretboard.
- Traditional Western Cutaway Body
- Solid Spruce Top
- Mahogany Back and Sides
- Nato neck with rosewood fretboard
- Scalloped Bracing for Louder, Richer Acoustic Sound
- Built-in reverb and chorus effects – no need for an amp or other external gear
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| Body Shape | Traditional Western Cutaway | ||
| Scale Length | 650mm (25 9/16”) | ||
| Body Length | 505mm (19 7/8") | ||
| Total Length | 1038mm (40 7/8") | ||
| Body Width | 412mm (16 1/4") | ||
| Body Depth | 100-118mm (3 15/16" - 4 5/8") | ||
| Nut Width | 43mm (1 11/16") | ||
| String Spacing | 11.0mm | ||
| Top Material | Solid Spruce | ||
| Back Material | Mahogany | ||
| Side Material | Mahogany | ||
| Neck Material | Nato | ||
| Fingerboard Material | Rosewood | ||
| Fingerboard Radius | R400mm (15 3/4") | ||
| Bridge Material | Rosewood | ||
| Nut Material | Urea | ||
| Saddle Material | Urea | ||
| Bridge Pins | Black ABS with White Dot | ||
| Tuners | Die-cast Chrome | ||
| Body Binding | Cream | ||
| Sound Hole Inlay | Black + White | ||
| Pickguard | Transparent | ||
| Body Finish | Gloss | ||
| Neck Finish | Matte | ||
| Electronics | SYSTEM70 TransAcoustic | ||
| Controls | Reverb/Chorus/TA Switch/Line Out Vol | ||
| Connections | LINE OUT | ||
| Strings | Elixir NANOWEB 80/20 Bronze Light | ||
| Accessories | Hex Wrench | ||
| Case | None | ||
